" It was a collection that read like an emotional homecoming: Christian Lacroix going back to Provence, the place where he started in the 1980's. The difference is that what he's doing now with all the poufs, the florals, the corsetry, and matador jackets looks much better than it did when Ivana Trump was his chief patroness. It's just as head-spinningly decorative, just as frilled and flounced and passionate about vermillion and orange, hearts and flowers, but it has become infinitely lighter and better connected to the general flow of fashion. "
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